News

January 2023

My essay “The Lush Spot Where the Pattern Changes” won the Hunger Mountain 2022 Creative Nonfiction Prize! It was published in Issue #27.

October 2022
I’m honored to have my essay “Constraints: A Hometown Ode,” originally published at The Rumpus, chosen as a Longreads Editors’ Pick. Thank you, Cheri Lucas Rowlands!
Fall 2020

I’m thrilled to have an essay, “You Don’t Have To Be Here,” published in The Best Women’s Travel Writing, Volume 12, which is coming out this November and available here.

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Summer 2020

A short essay of mine appears in Dear America: Letters of Hope, Habitat, Defiance, and Democracy, edited by Terrain.org editors and published by Trinity University Press.

Dear America: Letters of Hope, Habitat, Defiance, and Democracy, edited by Simmons Buntin, Elizabeth Dodd, and Derek Sheffield

February 2020

A new essay on living with synesthesia is up on Salon. com: “Confessions of a Synesthete.”

September 2019
A new essay of mine, “Required Reading,” appears in the Autumn 2019 issue of The American Scholar.
October 2018
Interview with Creative Nonfiction about my essay “You Don’t Have to Be Here,” which won Best Essay Prize for their Risk contest. 
June 2018

Best Women’s Travel Writing, Volume 11 named a finalist for Foreword INDIES Travel Book 2017!

2017

Nice review of What I Didn’t Know: True Stories of Becoming a Teacher in the Seattle Times: 

“There are some terrific passages in this volume. 

Beatty, in Los Angeles, offers an on-the-ground parable about the realities of student discipline in a school where the scent of a teacher’s desperation reeks like body odor and ‘the possibility of mutiny’ hangs in the air.

‘What scared me were the ways in which our interactions confirmed biases in me that I did not want to see,’ she writes of her fear. ‘One reason idealistic young people give for quitting teaching is that they don’t like the person it is turning them into.’

But Beatty suggests that beneath this, there may be another reason: ‘We don’t like the person that teaching reveals us to be.’ In her case, the realization necessitates a profound change.

Instead of sending her students to the dean’s office for cursing, Beatty begins to build lessons around their profanity. She makes cursing the subject of her English classes, using it to introduce ideas about language and, in the process, discovers that her students like discussing curse words almost as much as using them. Off-color language becomes a learning game. Each time a kid curses, he or she must fish a vocabulary word from a box, find its definition in the dictionary and write it on the board in a sentence. Her students, jazzed by the exercise, begin sending each other to the vocabulary box.

‘Sometimes I hadn’t even heard the offending language, but I would always nod knowingly, and the kid with the dictionary would hunker down, Beatty writes. ‘I began to glimpse how there could be functional pockets in a dysfunctional system.’”